Russians at War

Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.

As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.

With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today.

Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.

Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".

One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.

A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.

Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.