Titanic: A Dead Reckoning

With the departure of the Bush Administration and the arrival of an “era of transparency,” opportunities are arising for the disclosure of new information that may shed more light on the events that took place before and after 9/11/2001. Loaded with powerful, new footage and in-depth interviews this documentary presents a wide array of evidence both known and unknown…until now.

A documentary highlighting the Soviet Union's legendary and enigmatic hockey training culture and world-dominating team through the eyes of the team's Captain Slava Fetisov, following his shift from hockey star and celebrated national hero to political enemy.

The history of cinematic sound, told by legendary sound designers and visionary filmmakers.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

For the 20th anniversary of "Titanic," James Cameron reopens the file on the disaster.

Oliver Stone charts the history of the United States from the Second World War to the present.

The sinking of the Titanic is presented in a highly realistic fashion in this tense British drama. The disaster is portrayed largely from the perspective of the ocean liner's second officer, Charles Lightoller. Despite numerous warnings about ice, the ship sails on, with Capt. Edward John Smith keeping it going at a steady clip. When the doomed vessel finally hits an iceberg, the crew and passengers discover that they lack enough lifeboats, and tragedy follows.

Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".