Galatea
An omnibus film that tells the story of AI's that resemble humans coexisting with humans in the near future of Korea.
An omnibus film that tells the story of AI's that resemble humans coexisting with humans in the near future of Korea.
Lee Yo-won
Kang Chan-hee
Jung Kyung-ho
Baek Soo-jang
Oh Hee-jun
Lee Jae-yi
Yeon Gyeong
An omnibus film that tells the story of AI's that resemble humans coexisting with humans in the near future of Korea.
In a world where an AI programme allows people to communicate with their deceased loved ones, a flight attendant and a mother question the meaning of reality and humanity.
In 'A Brave New World', a virus brings the city to ruins and zombies flood the streets of Seoul. In 'The Heavenly Creature', a robot reaches enlightenment while working at a temple, but its creators deem this phenomenon a threat to mankind. In the final segment, 'Happy Birthday', a young girl logs onto a strange website and places an order for a new billiard ball for her father. Soon afterwards a meteor heads toward Earth and people flee to underground bomb shelters.
When an all-powerful Superintelligence chooses to study the most average person on Earth, Carol Peters, the fate of the world hangs in the balance. As the A.I. decides to enslave, save or destroy humanity, it’s up to Carol to prove that people are worth saving.
Cho-in has special powers that allow him to control everyone he can see, that is until he meets Kyu-nam, the only person he can't control. A series of events begins a confrontation that pushes both men to the brink.
Seven mini-stories of adultery: a widow misbehaves at her husband's funeral, a wife turns to streetwalking for revenge, a prudish girl surprises, a neglected wife vies for her husband's attention, a fight over a dress, a death pact, and a detective revealed as a jealous husband's spy.
Inspired by Chris Marker's iconic 1962 featurette La Jetée; the year is 2073—a not-so-distant dystopian future—and the setting is New San Francisco, the scorched-earth tech-dominant police state where democracy and personal freedom have been well and truly obliterated.
Four tales unfold in Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories, "The Wonderful Story of Henry Sugar", "The Swan", "The Rat Catcher", and "Poison."
Parent and child journey through the outskirts of society a decade after a pandemic has wiped out half the world's population. As a father struggles to protect his child, their bond—and the character of humanity—is tested.