When Ah Yao returns to Malaysia for his father’s funeral, he expects grief, not chaos. But everything turns upside down when the religious police storm in, claiming his father—who secretly converted to Islam—must be buried in an Islamic cemetery. Refusing to let go, Ah Yao and his siblings set out on a wild, darkly comedic journey to reclaim the body, confronting cultural clashes, family secrets, and absurd obstacles along the way.
Wei Chun-chan
Yao
Vera Chen
Yun
Fabian Loo
Cai
Calvin Tsou
Quan (Childhood)
Wang Chao-yang
Quan's Uncle
Coby Chong
Liu-Lian (Middle-aged)
Ophelia Jiang
Wife (Client)
Ho Hsiang-yi
Girlfriend
Wang Cian-he
Boyfriend
When Ah Yao returns to Malaysia for his father’s funeral, he expects grief, not chaos. But everything turns upside down when the religious police storm in, claiming his father—who secretly converted to Islam—must be buried in an Islamic cemetery. Refusing to let go, Ah Yao and his siblings set out on a wild, darkly comedic journey to reclaim the body, confronting cultural clashes, family secrets, and absurd obstacles along the way.
Years after her boyfriend left her for the big city and promised to bring her there after he’s settled down, a Chinese woman sets out on a journey to be reunited with him.
A black comedy about a farmer who tries to bring home the body of his friend, who died far from their town.
Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of Kaohsiung to look for work. They find an apartment through relatives, and Ah-Ching is attracted to the girlfriend of a neighbor. There they face the harsh realities of the big city.
A boozy lowlife tries to bury the truth about his crazy stepson's suspicious death, but a nosy newspaper columnist and the young man's mother complicate matters.
Having been released after serving his sentence, a funeral director accidentally crosses paths with a girl which brings about an unexpected change in his attitude towards life.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
Tells the story of prosecutor Han Ming who is involved in a difficult case where the intentional injury of people is turned into a legitimate defense.
Don Tyler, a famous film-maker, falls ill on the sets of his movie. Fascinated by the funereal traditions of China, he requests a cameraman named Yoyo to arrange a grand, comedic funeral for him.