The Man in Search of His Murderer
A man in bad sorts hires a burglar to later kill him, then changes his mind when his fortunes turn and must find the contracted murderer before it is too late.
A man in bad sorts hires a burglar to later kill him, then changes his mind when his fortunes turn and must find the contracted murderer before it is too late.
Heinz Rühmann
Hans Herfort
Lien Deyers
Kitty
Raimund Janitschek
Otto Kuttlapp
Hans Leibelt
Adamowski
Friedrich Hollaender
Vorsitzender der „Weißen Weste“
Gerhard Bienert
Schupo
Hermann Speelmans
Jim
Wolfgang von Waltershausen
Roland Varno
A man in bad sorts hires a burglar to later kill him, then changes his mind when his fortunes turn and must find the contracted murderer before it is too late.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
An eclectic band of misfits becomes an unlikely family as they take a wild journey in the name of love while on the run from an overzealous FBI duo who want them dead or alive - preferably dead.
When a clumsy deadbeat accidentally kills his landlord, he must do everything in his power to hide the body, only to find that the distractions of lust, the death of his beloved brother, and a crew of misfit characters force him on a journey where a fortune awaits him.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially, his intention is to evict the black tenants and convert the building into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind.
An improv group deals with several crises, including the loss of their lease and one member hitting the big time.
Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?