Bar Esperanza
"The last one to close."
A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.
"The last one to close."
A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.
Marília Pêra
Anna Moreno
Hugo Carvana
Zeca
Anselmo Vasconcelos
Walfrido Salvador
Nelson Dantas
Ivan Guerra
Louise Cardoso
Nina Saraiva
Luiz Fernando Guimarães
Tuca Martins
Júlio Braga
Galocha
Antonio Pedro
Passarinho
Paulo César Peréio
Cabelinho
A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.
A fussy celebrity caterer, a blind woman, a tour-bus guide and an inexperienced wedding planner search for love.
Lu, a conformist woman in her forties, learns that her 15-year partner has been having extramarital affairs. Starting from scratch, she gets involved in an unexpected relationship with a young womanizer.
A stubborn idealist spies a bride on her way to her wedding and immediately falls in love with her.
New York sportswriter Mack has spent years devising successful hook-up "plays" with her friends, but when she unexpectedly falls for one of her targets, she must learn what it takes to go from simply scoring to playing for keeps.
Working incognito at his rich dad's company to test his own merits, Teto falls for Paula and tells her he grew up poor, a lie that spins out of control.
A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the window.
With varying degrees of success, recently divorced friends Dave, Vic and Donny are trying to move on with their lives. Vic feels vilified by his ex-wife's parents, while Donny has a shaky bond with his teen daughter, Emma. Dave, meanwhile, has an enviable problem -- he has more dates than he can handle. As they confront their post-marital challenges, the men take solace in one another's plights.
Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients, who wants to stage the opera Cosi Fan Tutte by Mozart, despite the fact that none of the patients can sing or speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.