Sukeban Deka the Movie 2: Counter-Attack of the Kazama Sisters

In order to settle a business dispute, a mob leader murders one of his own teenage sons. The surviving son vows to avenge his brother's death, and organizes his own gang of teenage killers to destroy his father's organization.

In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.

Master car thieves square off against French gangsters in the South of France with money, women and lives all on the line.

Vice detective Bob Hightower finds his ex-wife murdered and daughter kidnapped by a cult. Frustrated by the botched official investigations, he quits the force and infiltrates the cult to hunt down the leader with the help of the cult’s only female victim escapee, Case Hardin.

After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.

The Fable is a legendary yakuza hitman equal to none—but his boss orders him and his sultry associate to lay low and learn how to live a "normal life" in Osaka.

An ex-mercenary known for finding missing children is hired by a mixed martial arts fighter whose daughter has been kidnapped.

A kind man aspires to become a manga writer, but villains and evil deeds do not come easily to him, for he has little experience or natural inclination for them. Things take a surprise turn when he comes across a family who were described as idealized that are no more. He uses the real-life situation for his work.