High Hopes
Working-class couple Shirley and Cyril are in conflict over whether they should have children, their problems with 'yuppies' moving into the neighbourhood and outpricing them, and the advent of Cyril's ageing mother's seventieth birthday.
Working-class couple Shirley and Cyril are in conflict over whether they should have children, their problems with 'yuppies' moving into the neighbourhood and outpricing them, and the advent of Cyril's ageing mother's seventieth birthday.
Phil Davis
Cyril Bender
Ruth Sheen
Shirley
Edna Doré
Mrs Bender
Philip Jackson
Martin Burke
Heather Tobias
Valerie
Lesley Manville
Lætitia Boothe-Brain
David Bamber
Rupert Boothe-Brain
Cheryl Prime
Martin's Girlfriend
Judith Scott
Suzi
Working-class couple Shirley and Cyril are in conflict over whether they should have children, their problems with 'yuppies' moving into the neighbourhood and outpricing them, and the advent of Cyril's ageing mother's seventieth birthday.
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, Andy is a cook who forever puts off home remodeling projects, Natalie is a plumber and Nicola is jobless. This film is about how they interact and play out family, conflict and love.
A teenager living with her sister and parents in Manhattan during the 1990s discovers that her father is having an affair.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
The story of Bea Johnson from birth to graduation as she navigates life with an intellectually disabled parent and an extended family who can't quite agree on the best way to help.
A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.
Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?
Set in 1958, the coming of age story follows four lower middle-class Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, shoot pool, get into street fights, and hang out at a local malt shop.
Leo and Angela Russo live a simple life in Queens, surrounded by their overbearing Italian-American family. When their son finds success on his high school basketball team, Leo tears the family apart trying to make it happen.