Based on the plot of L. Mey's play "The Pskovite Woman". A poetic legend about the arrival of Tsar Ivan the Terrible and his oprichniki in Pskov. Having destroyed Novgorod, the tsar moved to free Pskov, the city was waiting for the same fate. But the city was not ruined - the Terrible met in Pskov his illegitimate daughter Olga, whose existence he did not even suspect.
Andrey Gromov
Tsar
Aleksandra Goncharova
Bride
Mariya Tokarskaya
Pyotr Chardynin
E. Fadeeva
Antonina Pozharskaya
Based on the plot of L. Mey's play "The Pskovite Woman". A poetic legend about the arrival of Tsar Ivan the Terrible and his oprichniki in Pskov. Having destroyed Novgorod, the tsar moved to free Pskov, the city was waiting for the same fate. But the city was not ruined - the Terrible met in Pskov his illegitimate daughter Olga, whose existence he did not even suspect.
In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia
Ivan Demarin, a young officer of Peter the First’s new guards, follows the Tsar’s order and goes to the frontier town of Tobolsk, deep in the Siberian forest. There Ivan falls in love for the first time and he and his regiment happen to be involved in conspiracy of local princes who hunt for gold in the town of Yarkand. His fort is surrounded by hordes of wild Dzungars and there is no one to call for help…
A Russian military propaganda film about the tank commander Kalashnikov, severely injured in battle in 1941. The accident leaves him incapacitated and unable to return to the front line. While recovering in the hospital, he begins creating the initial sketches of what will become one of the world’s most legendary weapons. A self-taught inventor is only 29 when he develops the now iconic assault riffle — the AK-47. Shot in occupied Crimea.
A ghost and a French marquis wander through the Winter Palace in St Petersburg, encountering scenes from many different periods of its history.
In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.
Based on true and tragic events in the life of Vitaly Kaloyev, an architect and family man. In 2002, his wife and children die in a mid-air collision along with 70 other people, mostly children. Vitaly is one of the first people to discover the bodies of his family at the site of the crash. The blame is put on the company responsible for monitoring the air space, as well as the lone air traffic controller on duty at the time. Two years later, after much obstructed efforts to get apologies and answers, Vitaly flies to Switzerland to obtain justice.
In July 1942, in the Second World War, the rearguard of the Russian army protects the bridgehead of the Don River against the German army while the retreating Russian troops cross the bridge. While they move back to the Russian territory through the countryside, the soldiers show their companionship, sentiments, fears and heroism to defend their motherland.
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.