Dora-heita

A pair of down-on-their-luck swordsmen arrive in a dusty, windblown town, where they become involved in a local clan dispute. One, previously a farmer, longs to become a noble samurai. The other, a former samurai haunted by his past, prefers living anonymously with gangsters. But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels who are under siege at a remote mountain cabin.

On the Hokkaido frontier, a war veteran and Ainu girl race against misfits and military renegades to find treasure mapped out on tattooed outlaws.

Soichi Negishi moved to Tokyo to chase his dream of becoming a musician playing stylish, Swedish-style pop. Instead, he finds himself leading the death metal band Detroit Metal City, or DMC, as the costumed and grotesquely made-up "demon emperor" Johannes Krauser II. Although he hates the role and the things he has to do as a member of the band, he has a definite talent for it.

The Noharas win a vacation to the Kingdom of Buri Buri -- but the whole thing was just a clever ploy by an evil organization to kidnap Shin-chan!

Raku Ichijo (Kento Nakajima) is an only son and a high school student. His father is the leader of yakuza group Shuei-gumi. Raku Ichijo doesn't like to fight and he studies hard. His dream is to become a public official. One day, he passes the entrance gate at his high school and is kicked inadvertently by Chitoge Kirisaki (Ayami Nakajo). She is a new transfer student at the school. Chitoge Kirisaki is the only daughter of a rival gang leader. To keep the peace between the rival gangs led by their fathers, Raku Ichijo and Chitoge Kirisaki decide to act as boyfriend and girlfriend. --asianwiki

The Noharas get caught between two rival clans when Himawari swallows a pretty bead that turns out to be a mysterious ball with hidden powers.

While combing through the belongings of his recently deceased aunt, Matsuko, nephew Sho pieces together the crucial events that sank Matsuko's life into a despairing tragedy.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.