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The Great Passion

This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

The Great Passion

6.5 1930
What Women Dream

In this pre-WWII German mystery-comedy, a lovely kleptomaniac with a taste for fine jewelry is unable to resist temptation. Strangely, every time she steals something, a mysterious man pays for it. A clumsy detective begins investigating and finds a crucial clue: a strongly scented woman's glove. The perfume is an expensive scent and the detective's pal realizes that it belongs to a popular nightclub singer. The friend quickly becomes enamored of the girl, but then so does her mystery man, a notorious international criminal. Eventually he gets arrested, leaving the detective's pal to move in on the singer.

What Women Dream

8.4 1933
Last Stop

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

Last Stop

6.0 1935
Darling of the Gods

Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.

Darling of the Gods

5.5 1930
Arche Nora

In the early years after the end of the Second World War. Germany lies in ruins and the young people only want to look ahead, in search of a little private happiness and a better, peaceful future. For the two young war returnees Klaus Schriewer and Peter Stoll, who have secured their economic survival with a small handcart transport business, this first means looking for a reasonably habitable place to live. The two friends have identified a shipwreck, a former fishing trawler, which they call "Noah's Ark" and which they want to refurbish into a habitable home...

Arche Nora

0.0 1948
Kitty and the World Conference

The setting is Lugano (Switzerland), where an apparently very important world conference takes place. The film tells the story of the young Kitty (Hannelore Schroth), who works as a manicurist at the Eden Hotel, and who in the course of events gets to know both a young journalist (Christian Gollong) and the English minister of economics (Fritz Odemar). A lot of wild mix-ups, comic situations, a love story and occasional singing ensue, and in the end most of the VIPs have gained their share of laughter… There’s also a great performance by Paul Hörbiger as the hotel porter. For a 1939 film made in Germany, “Kitty” is remarkably irreverent and satirical about politics.

Kitty and the World Conference

0.0 1939
The Finances of the Grand Duke

The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State's debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke's affairs, a series of frantic chases, plots and counter-plots begins.

The Finances of the Grand Duke

6.6 1924
Maiden vs. Monk

Mutz Hagedorn has just graduated from grammar school, much to the delight of her aunt Jenny, who cares for her like a mother. Then she learns from notary Strohbein that she has inherited the hotel “Zur Jungfrau” from her uncle, it is located on Lake Constance in Üttlisborn. On the way there, she meets the winsome Konrad on the train. Both have the same destination, only at the train station, their paths split. When she then stands before “her” hotel, she’s appalled. The “Jungfrau” is an old, dilapidated eyesore, because people with taste put up at the “Mönch”, which is owned by the Leitner family. Both families have been at odds with each other for years. Then, Mutz learns from Konrad that he as well is a Leitner and the owner of the “Mönch”. Now, she wants to be victorious, win the trial once and for all. Konrad accepts the challenge. Firstly, the “Jungfrau” is turned into a modern hotel in no time.

Maiden vs. Monk

0.0 1934
Love Must Be Understood

The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…

Love Must Be Understood

5.5 1933