5,421 Matches Found

Azzurri: Road to Wembley

A docu-film that traces the victorious ride of Mancini's Azzurri, from the debut match to the final against England. A troupe lived with the Azzurri for a month, to bring the spectators into the lives of the players and all the members of the staff, between training sessions, matches, travels and celebrations. An adventure told through the voices of the protagonists, who confided dreams, joys, pains and hopes to the cameras. "Blue Dream, the road to Wembley" is the completion of a project started a year ago together with the FIGC, to tell the national team's approach to the European Championships through the 4 episodes aired in the days immediately preceding the European Championship, bringing the new television language of the docu-series to one of the most important time slots of the first generalist network. "Blue Dream, the road to Wembley" is a project of the New Formats Development Department

Azzurri: Road to Wembley

7.8 2021
True Stories - Lili Carati, Fragments of a Heroin's Life

Filmed in 1994 while the actress was in a clinic to detox from heroin, Rony Daopoulos' portrait of Lilli Carati for the television program “Storie vere” (True Stories) ideally closes the circle of the F For Femmine cycle that began with Frammenti di una vita da eroina (Fragments of a Heroin's Life), filmed by Daopoulos herself with Annabella Miscuglio in 1976, starring the poet Patrizia Vicinelli. An intimate and passionate portrait without moralizing.

True Stories - Lili Carati, Fragments of a Heroin's Life

0.0 N/A
The Other Side

In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today's America.

The Other Side

6.4 2015
Love Meetings

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Love Meetings

8.3 1965
Fellini of the Spirits

2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.

Fellini of the Spirits

6.6 2020
Il delitto Mattarella

January 6, 1980. President of the Sicily Piersanti Mattarella is going to Mass with his family when a young man approaches his car and shoots him in cold blood, killing him. The young Deputy Prosecutor on duty that day is Pietro Grasso, future General Anti-Mafia Prosecutor and President of the Italian Senate. His investigations are continued by Giovanni Falcone, who uncovers dangerous connections between the Mafia, the ruling Christian Democratic Party, neo-fascist terrorists, and secret services.

Il delitto Mattarella

5.9 2020
The Zone

In times of conflict, a companion can be the final thread linking one to human connection. In Call of Duty: Warzone, communication is fractured, making it even harder to truly know those you play with. Dialogue is just a series of terse exchanges of orders and instructions; everything revolves around the game, everything is subsumed by war. Forming a meaningful connection with an anonymous player seems nearly impossible. In The Zone, the protagonists confront this challenge, pushing beyond the fleeting interactions dictated by random matchmaking. They seek to reclaim their humanity, engaging with pressing themes — religion, terrorism, and representation — subtly embedded in the game’s mechanics and geography.

The Zone

10.0 2025
Manara

Milo Manara revolutionized the comics imagination, liberating female desire through the protagonists of his comics. His career was marked by his encounter with Hugo Pratt, his mentor and companion, and by his exploration of the power of sex as a political act, culminating in the publication of Il gioco. His partnership with Federico Fellini redefined the boundaries between eroticism, cinema, and comics, and his unmistakable style made him a point of reference for entire generations.

Manara

0.0 2025
Maria Callas: Letters and Memoirs

An invaluable imprint of the world tour of the play Maria Callas: Letters and Memoirs, starring Monica Bellucci as the great opera diva. Through the chronicle of the tour, which lasted from November 2019 to January 2023, we observe and compare two different eras (the current one and the one in which Callas reached the apex of fame), while at the same time, we partake to and witness an essential dialogue between the great contemporary Italian actress and the voice that marked the 20th century: two women who, despite their different background, meet in retrospect due to their love of art.

Maria Callas: Letters and Memoirs

0.0 2025
Franco Zeffirelli: Rebel Conformist

The documentary relates the decisive moments, the turning points and the rollercoaster ride of a brilliant, eventful international career and the extraordinary life of a great Italian artist. From his origins as an illegitimate child with no name to the attainment of great international fame as a film director, art director, painter and stager of theatrical and operatic productions. Through original and archive interviews with some of the most acclaimed stars who have known, admired and loved him and with his closest relatives, friends and collaborators, this gripping account paints a picture of the person and the artist—and not just “the master”—Franco Zeffirelli in all his many and even conflicting facets.

Franco Zeffirelli: Rebel Conformist

5.5 2022
The Genius of Gianni Versace Alive

Filmed in Gianni Versace's mansion in Miami where every object is a separate work of art, this stunning documentary attempts to bring the genius of the Italian fashion giant to life. Through archival material and the confessions of friends and former colleagues, a portrait of a Renaissance designer emerges, a man who never stopped being inspired to create a strictly personal universe of high aesthetics. Indeed, Versace was not only one of the greatest and most influential designers of his time. He was also on the sharp intersection between classic and modern, redefining the way we perceive fashion and clothing.

The Genius of Gianni Versace Alive

3.5 2023
My Class

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

My Class

7.3 2013
Frank Zappa – Summer '82: When Zappa Came to Sicily

In the feature documentary, Summer 82 – When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer.

Frank Zappa – Summer '82: When Zappa Came to Sicily

7.8 2014
Fellini: I'm a Born Liar

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

Fellini: I'm a Born Liar

6.1 2003