María de la O

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer.

A chance encounter with a stranger changes the life of a college gymnast.

Two kids, Dylan and Kylie, run away from home on Christmas Day and spend a night of magic and terror on the streets of inner-city Dublin.

A woman and her new husband returns to her hometown roots in coastal northern Florida, and must deal with family, business, and encroaching real estate development.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.

The fireworks begin when Madea’s family gathers for her granddaughter’s wedding. As usual, Madea rules the roost, as she and her neighbor, the wacky Mr. Brown, deliver nonstop laughs. Live, love, rejoice...it’s Madea’s Family Reunion!

In 1917, two children take a photograph, which is soon believed by some to be the first scientific evidence of the existence of fairies. Based on the true story of the Cottingley Fairies.